Poet in Love was juried into the Renewal show, organized by SAQA for Canadian members.
To install the hanging sculpture, Judy provided a wooden hanger that she padded and covered with white velvet.
The inside of this cloak is colourful and soft.
The back is new naturally dyed rayon layered over a brand new polyester batt in half of the quilt, and a piece of wool pre-felt in the lower half. When the piece was laundered in hot water, the wool shrunk and a natural shirring occurred. This shrunken texture distorts the quilt and gives it an odd kind of sensuality.
Poet in Love (left) installed in the main gallery of the Homer Watson Gallery for the Renewal Exhibition. |
Poet in Love was installed hanging from a small wall bracket at the gallery. Cathy Masterson, the curator, has indicated that she may be able to acquire a larger shelf bracket and lift the piece away from the wall.
Thank you to all involved for putting this show together and for doing your best with the installation.
For more photos and a beautiful insight on the Renewal exhibition have a look at Sue Sherman's blogpost on art cloth network.
After the installation, Martin sent a hanging cord made from silk fabric and metal rings to the gallery in case the gallery is able to re-install the piece with a larger shelf bracket. The sketch of how the cord can be used is below. This cord is now part of the hanging device and will go with the velvet hanger as the Renewal exhibition tours the country.
The edges of this quilt were worn, so I covered them with white velvet. The
back was in tatters and the batting had fallen out so I layered new wool and
pre-felt first, then a new backing of naturally dyed silk and rayon. The blue
thread in the original heart-shaped design was still strong so I followed it
with new quilting stitches. Renewed with brightly coloured velvet patches
and wet felting, the old quilt is now greener than grass but at the same time
it is wrecked. Like a poet in love.
love the last two sentences, Judy!
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